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Old 11-24-2006, 03:34 AM
CadaveR (Ivo) CadaveR (Ivo) is offline
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Join Date: Feb 2006
Location: Joćo Pessoa, BRAZIL
Posts: 68
Default Re: The Grand Master Buddy Rich

Some nice/important points to look for (as I understand them) when watching to a Buddy Rich drum solo:

1. Observe the way (as much as how easy) he crosses his arms and execute all kinds of hand and arm movements so smoothly (sometimes they seem supernatural...);

2. Try to apreciate-and-understand Buddy's phrasings (sequences of drum notes and moves); dynamics over the snare drum and his calculated accents;

3. The more complex and admirable things are, sometimes, hidden from the more obvious/explicit observations (again, try to understand his moves, sometimes you just don't take notice, but impossible things are happening right before your eyes, you simply isn't paying the deserved attention);

4. There's always a brilliant sense of time through the solo (even when it seems all-messy, there's always a jazzistic broken time going on);

5. Observe his left-hand movements and try to understand the incredible dynamics of his left-hand alone (quite amazing);

6. Try to understand his constructions and how Buddy used to mix swing, technique, speed and hand/arms movements' control (or coordination), musicality and everything else in favor of a GREAT and memorable drum solo;

7. Pay attention to the pauses that Buddy would usually give to separate his phrasings into "sections" of chosen notes. Possibly the BEST use of silence ever on a drum solo;

8. Understand how his breathing techniques help him to achieve such an accurate hand movement control;

9. Try to see and hear the solos as a composition in the sense that every beat is featured as a violin note would in a real-world musical situation;

10. Try to vislumbrate (as Buddy said himself) his solos as "well told stories": there's a fine and interesting beginning, an exciting mid, and a phenomenal end, when everything reaches "it's top"). Also, in most of his solos, there's a so long sequence of exciting creative moments that not even one second is dispersed by a boring moment. Incredible. Very consistent phrasing quality through the whole solos.

In other words: try to THINK like Buddy in that particular "drummoment".

Just some advices in order to better understand why Buddy was so one-of-a-kind.

;)

Some (and just SOME) brilliant drum solos that I've cautiously chosen follow below:


http://www.drummerworld.com/Videos/b...ticktrick.html

http://www.drummerworld.com/Videos/buddyrich1970.html

http://www.drummerworld.com/Videos/buddyrich1978.html

http://www.drummerworld.com/Videos/buddyrichsin.html

http://www.drummerworld.com/Videos/b...chchannel.html

http://www.drummerworld.com/Videos/buddyrichjames.html

http://www.drummerworld.com/Videos/edshaughnessy.html

http://www.drummerworld.com/Videos/b...upabattle.html

Have fun!

:)

ps. Post (re)edited.

Thanks, michael drums! You're welcome.

Buddy is an obssession of mine (with good reason). I'm just trying to educate people in order to give them the tools for a better understanding of a masterpiece (what would be of Salvador Dali without some explanations in order to give your own perception the ability to provide to itself a "better and deeper picture" of such a piece of art?). :)

Last edited by CadaveR (Ivo); 11-24-2006 at 07:13 PM.
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