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Old 11-01-2012, 11:59 PM
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Les Ismore Les Ismore is offline
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I feel like heel toe should have a different name. When I first learned it, I literally tried playing with the back of my heel to the tips of my toes, and footboards generally aren't long enough for this. Once I figured it out, it's absolutely nothing like its name.

You're right, what you learned is 'not' like its name- Heel/Toe. There's the confusion.

Heel/toe is just as the name implies, the heel makes the first strike, the toe follows, its a walking motion. So yes you're limited to foot size fitting the pedal board.

There's a lot of confusion from people describing/showing a double stroke that uses the toe/ball of the foot to depress the foot board accentuated by dropping the heel.

There is a stroke that exists in which the heel of the foot contacts the pedal board first sending the beater into the head, followed by a strike on the foot board from the toe creating the second hit of a double, this stroke has a name, it is called heel/toe. Few people can do this stroke w/any proficiency, its very difficult to learn.

If you have your foot hanging off of the foot board and you do a quick double stroke with your toe planted by dropping your heel, that is another type of stroke that exists and its being improperly referred to as heel/toe.

When someone says bass/snare, its not FT/snare, the FT imitating the bass drum stroke.

Pete Riley demonstrates a simple slide technique to pull off a double, its not heel/toe. He doesn't use the words "Heel/toe", he's not claiming its heel/toe, b/c its not. A lot of people confuse this stroke with heel/toe. This stroke has limitations due to the fact in it there's a place in it where you lose contact with the foot board while having to change direction at the same time, this creates a demand for balance. Pete uses his right foot to balance, and maintain his stability.

Jarred Faulk (@2:52) describes it correctly, and (@ 3:00) 'illustrates' it correctly, but then @ 3:11 he tells you what he's really doing ("... a toe/toe stroke).

Faulk is causing confusion here. He uses the term 'Heel/toe' to create an interest, then shows a an advanced toe slide technique where little to no slide is used.

3:22- He admits right here "The first heel hit won't actually create any stroke." Right, its then not 'heel/toe' b/c heel/toe means the first heel contact creates the first impact of the double.

3:32 He shows both strokes are made by the toe. So why the hell he calls this Heel/toe is beyond me. It creates nothing but confusion.

4:56 This is not heel/toe, there's no reason to strike the dead portion (behind the hinge) of the foot board with your heel to make this stroke happen. Kinda senseless, but he describes it with meaning. He's right "That's actually ridiculous."

5:46 there's your stroke, not heel/toe, both contacts are made with the ball (toe) of the foot.

As I said b/f, there's no copyright on the name, so people can call whatever they're doing heel/toe, tho in reality there is a stroke which employs the first stroke on the board from the heel causing the first hit of a double.

This is Jarred Faulk's version of a heel/toe stroke, that's what he (and others) should be saying. In reality its a heel actuated double stroke, not a heel/toe stroke proper.
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