Yeah - I use that arrangement a lot - unless it's a big club and they have their own sound guy and micing setup. Otherwise it's not worth it to lug 2 mic stands around and deal with all the hassles of cardiod /condensor mics and spillage from other stage volume. I just bring 4 decent mics (with clip-ons and a small kick mic stand), 4 XLR cables and it fits in a small bag.. not a problem. The cymbals travel by themselves and get picked up a bit by other stage mics.. minimal micing is best.I'd put a mic on the kick, a mic on the snare, a mic between the two rack toms (assuming that's what it is) and a mic on the floor tom. Don't mic the cymbals - they're almost always plenty loud enough.