konaboy
Pioneer Member
If I could tolerate listening to either of those tracks more than 5 seconds I'd be more able to articulate an answer.
Right there with you on that!!
If I could tolerate listening to either of those tracks more than 5 seconds I'd be more able to articulate an answer.
The links are to different songs. Closer studio and Paris live. Great songs, but what are you all comparing? Not surprised that nobody here likes them. No Supra or Acro to be heard so it must suck. Stick to your guns guys. Hey, it's gotten you all this far. Love these songs. Funny thing is that I love the music you love too. Life is forward. Not digging your heals in as hard as you can. Sorry to be a pain in the ass, but you guys sound really old and kinda out of touch. To think that a real drummer would have made these recordings sound better? That the artist and producer are just clueless or mindless robots? I say that if they had let you produce this to your liking, then it never would have been a hit and therefore you'd have nothing to bitch about... and we wouldn't have this conversation. As much as I like this song I wish you had produced it and I never had to read this. Let's talk about drums people! Not "I don't like it 'cause......." It's new music! We're old drummers. Get used to it. You sound like oil lamp fans bitching about light bulbs.
I like newer stuff and older stuff. I never liked Depeche Mode or the Ramoans, the Beetles, The Who why....
because I didn't care for the sound or the music. I prefer music with drive an energy
I'm sitting here trying to think of a Who song that has no drive and/or energy............. I'm having trouble. Someone help me please.
.
Read after "why......."
" I never liked Depeche Mode or the Ramoans, the Beetles, The Who why.... because I didn't care for the sound or the music."
;-)
The links are to different songs. Closer studio and Paris live. Great songs, but what are you all comparing? Not surprised that nobody here likes them. No Supra or Acro to be heard so it must suck. Stick to your guns guys. Hey, it's gotten you all this far. Love these songs. Funny thing is that I love the music you love too. Life is forward. Not digging your heals in as hard as you can. Sorry to be a pain in the ass, but you guys sound really old and kinda out of touch. To think that a real drummer would have made these recordings sound better? That the artist and producer are just clueless or mindless robots? I say that if they had let you produce this to your liking, then it never would have been a hit and therefore you'd have nothing to bitch about... and we wouldn't have this conversation. As much as I like this song I wish you had produced it and I never had to read this. Let's talk about drums people! Not this "I don't like it 'cause......." bullshit! It's new music! It's new music and we are old drummers. Get used to it. You sound like oil lamp fans bitching about light bulbs.
A drum machine didn't play Coming in the Air Tonight. (Or any other Phil Collins tune)
Of all the instruments, I think that drums have the safest future.
A lot of music that the youngsters are listening to in the UK (Grime? Don’t quote me, I’m old...) seems to be deliberately avoiding real drums and using rhythmic beeps to give a low-key, guerrila, small studio feel (“keeping it real”). But it’s a fashion and at some point, someone will realise that a drum kit can inject real energy into the same songs and the fashion will change.
Anyone heard Travis Barker’s “re-mix” of “Low” by Flo Rida? Not Travis’s finest work, but the energy of his drum karaoke really brings out the angry misogyny that’s missing in the original recording.
Drums are dynamic, versatile and there’s really no substitute for the stage presence that a drummer brings. Although the posted videos show two different songs, I think the live performance illustrates that drums aren’t going to disappear any time soon.
I just listened to a WTF podcast with Mark Maron interviewing Lord (sang that song Royals that was popular about a year or two back). Her music is all digital and she said she doesn't use real instuments because her and the kids she grew up with didn't have and or couln't afford the instruments to make the music she wanted to hear. She could make all the music she wanted with a pirated version of protools and hacked plugins. In fact she can't even play an instument but in her words she can "program the s*#t out of a drum machine". So I guess for some artists the computer becomes the instrument.
I digress. As far as computers go, it's just the nature of the beast. I do drafting for a living. I was trained in hand drafting, much like you were trained in music. To be a good drafter back then, you hand to be good with the tools of the trade in order to produce accurate and presentable drawings.To be fair computers have been instruments since at least the early 60's. Milton Babbitt's work in the RCA lab comes to mind. I can't program a drum machine to save my life but i can play multiple instruments and write out musical notation. It's just another way of accomplishing the same thing. The way i know is old fashioned but has worked for hundreds of years. Near as I can tell the new methods are just as efficient. The only issue i have with them is that they are making illiteracy more prevalent in the industry but then that's been what recording technology in general has been doing since it's advent. Especially since the rock era.
specially since the rock era.