tim1987
03-06-2008, 11:07 PM
I have decided to make a bigger effort in improving my hand technique and was hoping some you guys may know about this exercise.
I have specifically been practising the exercise from John Riley's "Jazz Drummer's Workshop"-,Chapter 24 and 25- Basic Training 1 and 2. This will also have been in MD at some point in Riley's column.
The exercise from Basic Training 1 is a accented paradiddle exercise. In it JR gives 40 different accent permutations within the paradiddle in eighth notes. The first four examples are:
Rlrr Lrll
rLrr lRll
rlRr lrLl
rlrR lrlL
and so on.
I've started at the recommended starting tempo of 50, and am now at 70. But this is hard because you have to try to get the accents from height- not tension, so you use your Full, Up, Down and Tap strokes. You have to be prepared for the next "move" which is what makes it difficult.
Then in Basic Training 2 he gives you ways to expand the exercise by making:
1) Each accent a double stroke 16th note
2) Each accent a triple stroke
3) Each accent a flam
Then he converts the paradiddles into triplets to cause more complexity and then adds the above conversions again to the triplet paradiddles!!
I'm just trying to get to grips with the accented 8th note paradiddles first and paying attention to my motions and control.
Has anybody had experience with this exercise and have you seen positive results- I'm hoping if practised it should lead to as stated in the book- greater speed, control and relaxation.
Thank you!!
I have specifically been practising the exercise from John Riley's "Jazz Drummer's Workshop"-,Chapter 24 and 25- Basic Training 1 and 2. This will also have been in MD at some point in Riley's column.
The exercise from Basic Training 1 is a accented paradiddle exercise. In it JR gives 40 different accent permutations within the paradiddle in eighth notes. The first four examples are:
Rlrr Lrll
rLrr lRll
rlRr lrLl
rlrR lrlL
and so on.
I've started at the recommended starting tempo of 50, and am now at 70. But this is hard because you have to try to get the accents from height- not tension, so you use your Full, Up, Down and Tap strokes. You have to be prepared for the next "move" which is what makes it difficult.
Then in Basic Training 2 he gives you ways to expand the exercise by making:
1) Each accent a double stroke 16th note
2) Each accent a triple stroke
3) Each accent a flam
Then he converts the paradiddles into triplets to cause more complexity and then adds the above conversions again to the triplet paradiddles!!
I'm just trying to get to grips with the accented 8th note paradiddles first and paying attention to my motions and control.
Has anybody had experience with this exercise and have you seen positive results- I'm hoping if practised it should lead to as stated in the book- greater speed, control and relaxation.
Thank you!!