NUTHA JASON
03-21-2007, 05:30 PM
Practice makes perfect. But my dad always said perfect practice makes perfect. When you sit down, are you sure you are ready to learn?
Think of yourself - when practicing - as a river. What can hinder the quality of your flow?
Pollution
Carrying the cares and worries of the outside world and your life into the practice time is a mistake. Up-and-coming exams, girlfriend (or lack of) issues, divorce, debt…the list is endless. We all have them but they need to be put on hold. Imagine trying to do your taxes while playing golf or getting fit while painting a portrait. Possible but not altogether productive. Before practicing, clear your mind. Some advocate meditation. I recommend it too. Even just a minute to calm down and focus will pay off. Really clear out anything non drum related and just breathe. Check also that during a drill you don't let your mind wander into your list of things to do tomorrow or what you are going to say to your mom about that nasty test result.
Weeds
Some things might belong in a river but still hinder it. Not all drumming belongs in your drum practice. Like pollution, you need to take care not to get side-tracked. Focus on a skill or goal and try not to wander too far from it particularly if your practice time is limited. If in the execution of a practice drill you find an interesting beat built out of it then, yes, develop it, even write it or record it if you can but come back to the original exercise and consciously decide to go back to the new thing in a later practice. Try to strike a constant balance between fun and creativity and focussed skill building.
Stones and debris
Things can get in the way while you are practicing. If you are not conscious of them and their effects then you may find you want to end the practice session prematurely. Things like temperature are important. In winter wear lots of thin layers. Strip them off as your body heats up from the practicing. Adjust the thermostat. keep warm but cool as much as you must keep tight but loose in your groove. And speaking of tight, make sure you are wearing something comfortable.
Your seat is another one. Do you stop practicing because you are sore in the bottom? If so, your very next drum purchase MUST be a top of the line drum throne NOT another cymbal. Throw a terry towel over the throne to stop sweat-itches as well.
Does your back hurt? Get a teacher ASAP so that you can correct your posture and not let a debilitating habit rule your stamina. It is possible to have such good discipline that you are able to ignore the uncomfortable but then some of your mental effort is on the ignoring part ... see pollution.
Do you have enough water? Get this ready before the session. Toilet? Time it so that it is a useful micro break that sees you straight behind the kit fresh in less than 2 minutes.
Hungry or too full. Eat reasonably sometime before a practice. Don’t let hunger creep up on you after 20 minutes to begin distracting you.
Drugs and drink … before and during a practice? Or ever? Are you kidding? You may as well throw cement into your river.
Dam
Something breaks on you kit or you are unable to use it or part of it. Design a practice around the problem. No bass drum pedal? Work on hand patterns. Right arm broken and in a sling? A perfect time to focus on your left hand. On holiday and no drums? Time to brush up on reading and listening skills perhaps or pad work.
Drought
Too little material. Boredom. Imagine only practicing one thing every day for weeks. You may get really good at it but your over-all skill accumulation will be stunted plus you will get bored and are more likely to make excuses to finish early or just not practice. Imagine learning to play tennis but for the first year only working on the backhand. Many drumming skills feed into eachother too. So working on a balanced selection of material will optimise each ... the sum of the parts will be greater than the whole ...so to speak.
Flood
Too much to get through. Too many goals. Lots of stuff covered thinly. A master of nothing but a collection of half worked stuff. A recap practice is good every now and then but over-views must only be performed at the end of a set of focussed learning – a celebration and assessment of material covered. If you have a lot to learn, ascertain priority and share the skills out in a two day schedule so you have an A-day and a B-day. Be clever with this so that muscles that you might strain on day A are given time to heal and grow on day B by working a different set of skills on day B.
In summary, learn to listen to your body and mind. Take care of needs so they do not distract. Be pre-emptive and strategic. Be clear, focussed and relaxed. The drums aren’t your enemy…you are. Intelligently overcome what hinders you from maximum results.
j
Think of yourself - when practicing - as a river. What can hinder the quality of your flow?
Pollution
Carrying the cares and worries of the outside world and your life into the practice time is a mistake. Up-and-coming exams, girlfriend (or lack of) issues, divorce, debt…the list is endless. We all have them but they need to be put on hold. Imagine trying to do your taxes while playing golf or getting fit while painting a portrait. Possible but not altogether productive. Before practicing, clear your mind. Some advocate meditation. I recommend it too. Even just a minute to calm down and focus will pay off. Really clear out anything non drum related and just breathe. Check also that during a drill you don't let your mind wander into your list of things to do tomorrow or what you are going to say to your mom about that nasty test result.
Weeds
Some things might belong in a river but still hinder it. Not all drumming belongs in your drum practice. Like pollution, you need to take care not to get side-tracked. Focus on a skill or goal and try not to wander too far from it particularly if your practice time is limited. If in the execution of a practice drill you find an interesting beat built out of it then, yes, develop it, even write it or record it if you can but come back to the original exercise and consciously decide to go back to the new thing in a later practice. Try to strike a constant balance between fun and creativity and focussed skill building.
Stones and debris
Things can get in the way while you are practicing. If you are not conscious of them and their effects then you may find you want to end the practice session prematurely. Things like temperature are important. In winter wear lots of thin layers. Strip them off as your body heats up from the practicing. Adjust the thermostat. keep warm but cool as much as you must keep tight but loose in your groove. And speaking of tight, make sure you are wearing something comfortable.
Your seat is another one. Do you stop practicing because you are sore in the bottom? If so, your very next drum purchase MUST be a top of the line drum throne NOT another cymbal. Throw a terry towel over the throne to stop sweat-itches as well.
Does your back hurt? Get a teacher ASAP so that you can correct your posture and not let a debilitating habit rule your stamina. It is possible to have such good discipline that you are able to ignore the uncomfortable but then some of your mental effort is on the ignoring part ... see pollution.
Do you have enough water? Get this ready before the session. Toilet? Time it so that it is a useful micro break that sees you straight behind the kit fresh in less than 2 minutes.
Hungry or too full. Eat reasonably sometime before a practice. Don’t let hunger creep up on you after 20 minutes to begin distracting you.
Drugs and drink … before and during a practice? Or ever? Are you kidding? You may as well throw cement into your river.
Dam
Something breaks on you kit or you are unable to use it or part of it. Design a practice around the problem. No bass drum pedal? Work on hand patterns. Right arm broken and in a sling? A perfect time to focus on your left hand. On holiday and no drums? Time to brush up on reading and listening skills perhaps or pad work.
Drought
Too little material. Boredom. Imagine only practicing one thing every day for weeks. You may get really good at it but your over-all skill accumulation will be stunted plus you will get bored and are more likely to make excuses to finish early or just not practice. Imagine learning to play tennis but for the first year only working on the backhand. Many drumming skills feed into eachother too. So working on a balanced selection of material will optimise each ... the sum of the parts will be greater than the whole ...so to speak.
Flood
Too much to get through. Too many goals. Lots of stuff covered thinly. A master of nothing but a collection of half worked stuff. A recap practice is good every now and then but over-views must only be performed at the end of a set of focussed learning – a celebration and assessment of material covered. If you have a lot to learn, ascertain priority and share the skills out in a two day schedule so you have an A-day and a B-day. Be clever with this so that muscles that you might strain on day A are given time to heal and grow on day B by working a different set of skills on day B.
In summary, learn to listen to your body and mind. Take care of needs so they do not distract. Be pre-emptive and strategic. Be clear, focussed and relaxed. The drums aren’t your enemy…you are. Intelligently overcome what hinders you from maximum results.
j