Peter Criss - Eric Carr

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Zoro







Peter Criss - Eric Carr









Peter Criss...
Peter Criss rose to fame in the 1970s as the drummer for theatrical heavy metal-ists Kiss. Born Peter George Criscoula on December 20, 1947, in Brooklyn, NY, Criss got his start drumming after discovering legendary jazz drummer Gene Krupa (which he's rumored to have actually taken lessons from at one point) and such '60s rockers as the Rolling Stones. Playing in local bands throughout the '60s and early '70s, Criss was becoming increasingly fed up when none of his bands went anywhere — especially after a tryout for Elton John's band didn't pan out and close friend Jerry Nolan landed the drum slot with trash/glam/punk pioneers the New York Dolls. But his luck was just about to change when a pair of fellow New Yorkers answered an ad Criscoula had placed in a music paper, stating "drummer with 11 years experience, willing to do anything."

The pair turned out to be none other than Paul Stanley and Gene Simmons (then known as Stanley Eisen and Gene Klein, respectively), who were in the midst of putting a new group together that would be a reaction against all the then-prevalent boring hippie bands. Criscoula got the gig, soon after changing his name to Peter Criss. After the trio enlisted guitarist Ace Frehley, the quartet agreed on the name Kiss, and specialized in high-volume rock, but with a strong melodic edge (courtesy of Simmons and Stanley's admiration of the Beatles). It was also agreed that the bandmembers would choose a "character" and wear makeup and costumes relating to their choice; Criss selected a cat.

After signing with Casablanca Records in 1973, Kiss rocketed to stardom in 1975 with their classic Alive! release — becoming one of the most popular and instantly recognizable hard rock acts of all time. When Kiss was recording their follow-up to Alive!, 1976's Destroyer, Criss dug up an old song he'd written with one of his previous bands, a heartfelt ballad called "Beck." After changing the title to "Beth," and an orchestral accompaniment was set to the lyrics, the song became a surprise Top Ten smash for the band. Later in the year, it was Criss' Rod Stewart-esque lead vocals that landed the Paul Stanley-penned acoustic "Hard Luck Woman" into the Top 20 as well.

But despite Kiss' wild success, not all was well behind the scenes. Criss admitted in later years that he "O.D.'d on fame," and developed a drug problem in the process. It was that same year that all four members released solo albums, as Criss' disco-laced release hinted that he was moving away from Kiss' familiar hard rock sound. Criss left Kiss in 1980 amidst rumors of a breakup swirling (it became known in later years that Criss didn't play on most of 1979's Dynasty and not even a note on 1980's Unmasked, despite being credited on both). Criss automatically launched a solo career with such releases as 1980's Out of Control and 1982's Let Me Rock You, but fans were reluctant to embrace Criss' new, mature soft rock sound (besides the fact that Kiss themselves were experiencing a nosedive in popularity). Criss attempted to resurface with other bands throughout the rest of the '80s (such as the Alliance and Balls of Fire, both of which didn't issue any recordings), but didn't release another album until 1994's independent Criss Cat #1. On a humorous note, Criss appeared on an episode of Phil Donahue in the late '80s when an imposter appeared on the show pretending to be Criss, claiming he was penniless and homeless.

A year later, Kiss fans got their wish when Criss and Frehley (who himself had left the band two years after Criss' exit) reunited with Stanley and Simmons for a taping of MTV's Unplugged. The concert was a success, which led to a permanent re-formation of the original four bandmembers. This resulted in 1996-1997's highly successful Alive Worldwide Tour and their first original album in nearly 20 years, 1998's Psycho Circus (despite the fact that it wasn't Frehley and Criss playing on the entire album). But once again, turmoil lurked right around the corner. After the U.S. leg of Kiss' Farewell Tour wrapped up in late 2000, Criss supposedly had a falling out with Simmons and Stanley over his salary, resulting in his second ousting from the band. To add insult to injury, the group continued their tour with early-'90s Kiss drummer Eric Singer taking Criss' spot behind the drums and donning his cat make-up and costume. Criss began pursuing an acting career, landing a part on the HBO prison series Oz in early 2002.
AMG





Eric Carr...
Although he was not an original member of Kiss, drummer Eric Carr was automatically accepted and held in high regard by their legions of fans. Born Paul Caravello in Brooklyn, New York on July 15, 1950, the youngster discovered rock n' roll the way many others did in the early '60s, via the Beatles. Automatically taken by the Fab Four, Caravello began drumming on magazines until his parents bought him his first proper drum set shortly thereafter. His first real band, the Cellarmen, played the latest Top 40 hits at Bar Mitzvahs and weddings throughout the NYC-area. Come the '70s however, Caravello had become a great admirer of such hard rock acts as Led Zeppelin and the New York Dolls, although his bands throughout the decade, Creation and Mother Nature/Father Time, were disco-based.

At the dawn of the '80s, the drummer had become frustrated that his previous bands had failed to break through to the big time. Then, one fateful day in June of 1980, a friend from a former band happened to bump into Caravello, and told him that Kiss were holding auditions to replace the just-departed Peter Criss. He managed to get a try-out through Kiss' management, and jammed with the band on June 23rd. Barely over one week later, on July 1st, Caravello was invited to join the band. While the band' s popularity stateside wasn't what it used to be, they were still one of the top rock groups in just every other area of the world. With a massive tour of Europe and Australia already booked and fast approaching, Caravello and the rest of Kiss crammed to come up with a stagename for the new member, and a persona that tied in with the band's make-up and costumes.

Caravello was re-christened Eric Carr, and after a failed attempt at being a hawk, Carr assumed the identity of a fox. Carr's drumming fit in perfectly with the band — he was more of a heavy metal drummer than his predecessor was, but strangely, Kiss did not get around to fully using all of Carr's talents until their monumental 1982 release, Creatures of the Night. The drums were recorded to sound like mini-cannons, on par with such heavy hitters as Led Zeppelin's John Bonham and Deep Purple's Ian Paice, while the band rediscovered their heavy metal roots.

Carr remained a member of Kiss for the remainder of the '80s, playing on such hit albums as Lick It Up (Kiss' first sans-make-up) and Animalize, amongst others, and touring arenas the world over. Although original Kiss members Gene Simmons and Paul Stanley wrote the majority of the band's songs during Carr's tenure, he was responsible for co-penning such fan favs as "All Hell's Breaking Loose," "Under the Gun," and "Little Caesar," the latter featuring his lead vocal talents. Shortly after Kiss wrapped up their tour in support of their Hot in the Shade album, Carr was diagnosed with cancer. Despite what was believed to be a successful operation initially, Carr eventually died on November 21, 1991, at the age of 41. As a tribute to Eric, Kiss included an unreleased drum-driven track from 1981 on their 1992 comeback album, Revenge, entitled "Carr Jam 1981." Carr remains close to Kiss fan's hearts worldwide, as the success of two releases in 1999 proved — the biographical homevideo Tale of the Fox and an EP entitled Rockheads, which included original music from a children's cartoon he was creating towards the end of his life. Rockology followed in 2000.
AMG





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more Eric Singer here